A continuing review of dramas from Walter Presents… discovered on All 4.
Les Beaux Mecs (Tony’s Revenge) (France, 2011)
I’ve read many times that one good thing about watching non British and non American drama is that the actors faces are unfamiliar and so their characters are more believable. While I don’t think I enjoy “foreign language” shows especially for this reason, it is probably true.
So, what do you know when I recognise the protagonist in Tony’s Revenge as the guy who played the politically aspirational Afghan crime lord, “Colonel” Amanulla in the brilliant Kaboul Kitchen. The actor is Simon Abkarian.
In Tony’s Revenge, he plays convicted mobster, Antoine “Mad Tony” Roucas, who makes an impromptu prison break with his cellmate, an uppity street gang delinquent named Kenz. His motivation for this is his sudden belief that his one time friend, Guido, who he thought murdered, is actually alive and well.
The drama follows Tony’s quest for the truth and to settle old scores, relying heavily on Kenz for support. Intertwined with this is the back story of Tony’s early life, his introduction to organised crime and why he has to settle those old scores.
It’s typically french in the way it balances nimbly between serious and comedic, the comedy mostly provided by the interplay between Kenz’s street attitude cool and Tony’s old school, cold cool attitude to gangsterism.
It has its moments and is entertaining on the whole.
Crow’s Blood (Japan, 2016)
As I pick these shows purely at random, counting off the list with a random number generator, it’s a lottery which one comes up. I was quite pleased to find a Japanese thriller.
It’s set in a girls’ school when a new student arrives whose personality is peculiar and a bit sinister. She is the only daughter of a doctor who, for ethical reasons, was prominently against stem cell research until the daughter was involved in a life threatening road accident. Turning to his adversaries in stem cell research, they develop a means to save the daughter but the process has unforeseen consequences. Cue the horror-thriller events.
I’m not usually impressed by horror-thrillers but this is pretty good though in danger of getting ridiculously OTT at the end.
Professor T. (Belgium, 2015)
Another drama from Belgium in Dutch (mostly), with a smattering of French, and the occasional English phrase oddly echoed in the subtitles. I was disheartened to find it stretched over three seasons and steeled myself to go only as far as the first, but I was wrong. It didn’t turn out to be a flog-it-to-death concept at all. Each series brought in something new to the drama.
Essentially, it’s a crime drama focussing on a team of police detectives solving homicides. During one case, they enlist the help of academic criminologist, Professor Jasper Teerlinck, a renowned genius in the field but one who also suffers acute OCD and doesn’t suffer fools at all gladly nor tactfully. He solves the case with Holmesian expediency and is soon employed by the force as an official criminologist and criminal profiler.
Not much special in this, it may even seem to borrow from other police dramas, but the Professor’s OCD and the cause of it are played out dramatically as surreal illusions which recall similarities to Dennis Potter dramas – The Singing Detective etc.
There is, I think, a precise blend of seriousness and comedy which works exceptionally well. It’s entertaining and the characters are engaging. I can’t imagine anyone else playing Professor T as well as actor, Koen de Bouw, his measured facial expressions and delivery are perfect to a T.