Out in the car this morning, I caught about two minutes of an interview with someone whose name I didn’t catch but he was asked to play something on his trombone. The piece took about twenty seconds, he was thanked for coming on, and the two presenters moved swiftly on to something completely different and I returned to my USB playlist.
Driving along, I thought of an old movie I’d found on Youtube a few years back. Paris Blues stars Paul Newman and Sidney Poitier. It also stars Louis Armstrong as band leader, “Wild Man” Moore, but essentially playing a version of himself. It’s about American jazz, and musicians playing in Paris clubs. Sidney Poitier appears cool, as he always did, holding a tenor sax, but they gave Paul Newman a trombone!
The slide trombone is a peculiar instrument with a bumbly and rude sound. It’s distinctive though. Yet, I’d guess, not being a musician myself, oddly unappealing for a chosen instrument. I wouldn’t know why a person would take it up, unless they arrived too late and it was the only thing left in the horn box apart from a tuba. The guy from the radio did say his was lying around the house having once belonged to his older brother. We never heard why the brother had it initially but we can infer he abandoned it. I also wonder if it’s hard on the arm. At first? I wonder if, like tennis elbow or housemaid’s knee, there is a medical condition known as trombonist’s arm.
Yet, more yet, I might say the trombone was one of the reasons jazz appealed to me after decades of listening to rock music: from heavy to prog., through folk and country, across punk and new wave, and into indie. Despite all those names, it was almost always two or three electric guitars, a drum kit and vocals. I still have an ear for it but it is, to me, the genre in the corner, surrounded by a lot of wet paint. Don’t ask me why it remains so popular. I listen for nostalgic reasons only.
I’m trying hard to think of any trombone involvement in a rock song. If you know, please let me know. Meanwhile, here’s John Coltrane’s Locomotion, featuring a solo by trombonist, Curtis Fuller,
top image: photo still from “Paris Blues” (1961)
bottom image: Curtis Fuller