reviews

More World Wide Watchables

More from All 4’s Walter Presents…

Deadly Money (Germany, 2018)

When this one came up on my random selector, I thought there must have been a mistake. One series and only two episodes, less than 50 minutes apiece?

It’s a concise drama explaining a fictional version of the 2008 banking crisis. A high-flying executive investment banker expects to take over as CEO.

It’s portrayed as a ruthless business and our banker has to secure a big deal with a Middle Eastern organisation to improve the bank’s share price. He has a team of acolytes to help him but one in particular is a young protege, Tom, who has a talent for maths. Things appear to be going their way but, as we know from the real events, it’s all a dodgy business.

In true German style, the Frankfurt finance quarter appears here as a highly polished, ruthlessly efficient, awesome monster. It makes Wall St. look like the City of London, and the City of London look like the Post Office.


The Team (Belgium, Denmark, Germany, 2015)

I think, perhaps they bit off more than is chewable with this international crime drama. Three senior detectives and their respective bagmen – or women in most cases – go after a Lithuanian human trafficker following a spate of identical murders of sex workers in each of the detectives’ countries. This latter guy has aspirations about being a city banker, running his own respectable bank. Reluctantly, on the nefarious business side, he is in partnership with his ex wife, a rather callous bitch on her own terms.

It’s not bad but it’s not as cool as old Walter made it out to be. One problem I had with it was because the three protagonists had different native languages, interaction is done in English and it sounded a little awkward, like people reading something they didn’t fully understand. Of course, this is probably what would happen in real life, difficulty in communicating, and had they played it that way all would be well, but they didn’t. Also, there were implausibility issues, but I’d let that go as its a drama, and each detective had a messy life story running concurrently, which was, well, messy.

Hey, dismiss those niggles and it isn’t a bad series, and a majority of lead roles for women for a change.


Liberty (Denmark 2018)

Set in Tanzania in the 70s, I initially thought this was made in the 70s. Or my broadband wasn’t functioning as it should. It had a real low-fi feel.

Centred on a social group of Scandinavian expats comprising of exploitative businessmen and do-good aid workers, the brevity and abrupt changes in fortune of the characters saves the drama from being a soap opera in my view. Everyone’s life is dysfunctional and everyone’s hopping into his or hers neighbours’ bed, but fear not, there’s only a modicum of explicit sex.

The main story is the friendship between Christian, the teenage son of aid workers, and, Marcus, the “houseboy” servant of a neighbouring couple. They share an interest in music and getting stoned. Marcus makes mix tapes to sell on the side and aspires to be a DJ. The two then have the idea to set up a dance club in town. They name it “Liberty”.

With the adults falling out and falling in with other spouses, Christian drops out and falls more in with the Tanzanians. Naive, exposed and vulnerable, he finds he has to deal with violent rival forces and a corrupt police force, all the while testing his new friendships.

Yes, I had to check the year of production. 2018. But it’s the 70s. Africa is backwards and corrupt and the whites are exploitative and openly racist. Nevertheless, it’s a drama which has its moments.


Mama’s Angel (Israel 2016)

I have to say this is more like it. If it were a stick of seaside rock, it might have plausible written right through it. Yet there is still a great sense of tension.

The setting is a suburb with a mixture of white and black residents. The police chief has a twenty-two year old daughter in a casual relationship with a young Ethiopian art student who himself intends to leave to study in Holland. The police chief in turn has a tense working relationship with the able head of the criminal forensics team. While she is away undergoing surgery, a seven year old boy from a neighbourhood family turns up dead on a nearby hill, beside a monument upon which someone has recently sprayed graffiti. The police chief exploits the absence of the capable forensics head to arrest and accuse the Ethiopian of murder, ignoring all other likelihoods. When the forensics head returns to work, she finds she has this mess to contend with.

So if the Ethiopian didn’t do it, who did? Our suspicions are teased.


Deadly Money (All4)

The Team IMDb

Liberty IMDb

Mama’s Angel IMDb

The World, AI and Memory (and a bit of telly)

An interesting piece on AI from Learn Fun Facts, a blog I follow.

Should we worry about the doomsday scenario of AI and robots taking over the world? Maybe it’s inevitable. Maybe they’ll be welcome to it, once the devastating effects of climate change are realised.

My binging of the Walter Presents… archives of World telly drama from the All 4 app, continues. I’ll list a short appraisal below but the most recent drama was the brilliant Tabula Rasa from Belgium, though spoken in Dutch. It’s a nine one hour episode series, complete with no sequel – the kind I like. It has a clever plot with several twists along the way, and one big one midway which I doubt many viewers would predict. The opening titles are very stylish too, you sense you’re about to see something worthwhile.

Tabula Rasa is latin and translates as Blank Slate. In this drama, this is a metaphor for memory. Our protagonist suffers from amnesia following a traumatic experience. This means she fails to remember anything after the trauma very quickly and relies on keeping a notebook in lieu of a normal working memory. (This is similar to the guy in the film, Memento, who wrote notes on his body.) Whenever she needed to verify something, a person’s identity, for instance, she would rush through the pages of her book trying to find the relevant note or drawing.

This is, more or less, how AI data retrieval works, isn’t it? I mean, it’s more refined and therefore extremely efficient, but nevertheless the same. I don’t think anyone yet knows precisely how the human memory works – or doesn’t work, sometimes – how all that data is squirrelled away within the grey stuff. And it’s very energy efficient.

Imagine having to rely entirely on note taking for memory. Or, say, keeping a blog. In time, it would become enormous, and probably unusable. Long before then, you’d probably be chucked off WP for using up your storage allocation; you’d have to start paying and, in no time, bankrupt yourself.

What a marvellous instrument the old brain is. I ought to look after it.


A quick summary update of my Walter Presents.. viewing, most recently watched first,

Tabula Rasa (Belgium, 2017)

A woman suffering short term amnesia is a suspect in a missing person’s case, and probable murder. She is committed to a clinic where, with the aid of a notebook, she struggles to make sense of the situation and events from her recent past. A stylish and clever psychological thriller utilising several horror story tropes.

Blue Eyes (Sweden, 2014)

A political drama about the rise of right wing factions, both legitimate and terrorist. It’s general election time and the plot centres on two women, one a newly appointed civil servant finding herself in the middle of ongoing political corruption and the strange disappearance of her predecessor, the other a single mum who, wanting to avenge the murder of her activist mother, joins a new extreme right wing group. A good thriller.

The Mind of a Murderer (Germany, 2017)

Following the death of his family, a police detective returns to work as a new head of a city crime unit. His methods are unconventional and puts him at odds with his subordinates who themselves have personal issues which affect their work. The quirkiness of the chief character just about raises this drama above average.

Kabul Kitchen (France, 2014)

A not too outlandish comedy about an ex-international journalist, Jacques “Jackie” Roberts, who quits journalism to make money running a western style restaurant and bar in Kabul, during relative peacetime. His estranged daughter turns up unexpectedly as an NGO, and the local criminal boss decides to be his friend and equal business partner, but his problems don’t end there. A very entertaining double series carried admirably by the lead actor.

Norskov (Denmark, 2015)

A policeman returns to his economically impoverished hometown, recruited to clean up its high drug related crime. There, he reunites with two old friends, one serving as the town’s mayor and the other runs his own building contractor company. A brooding Scandi drama, slow at times, maybe, but deep enough.

Spin (France, 2012)

Les hommes de l’ombre, (the shadow men), the original French title is better. Three series of this political drama centred on the work of a spin doctor, his adversary and one time partner in business, and the assorted politicians he mixes with. Not much politics seems to happen oddly, it’s mostly about politicians climbing, and sliding down, their greasy poles. Nevertheless, good plots and well acted performances.

Tainted (Brazil, 2014)

A disgraced police officer finds work as a bounty hunter, working for an ex-colleague’s sideline business. Meanwhile, he attempts to find the evidence to clear his name and get back to living a legitimate life. So-so, macho cop kind of thing.

The Cleaning Lady (Argentina, 2017)

Conscientiously efficient professional cleaner, Rosa, is contracted to clean up an assassination scene by the local mafia. She does such a good job eliminating all the evidence, she inadvertently becomes the mob’s go to cleaner of choice, thwarting the efforts of the two detectives investigating their crimes. I thought this was going to be a comedy, but no, it’s completely straight. I quite enjoyed it too.


My other Walter Presents reviews can be read here.