I suppose there are many ways to approach an exhibition and I can’t say whether any one is better or worse than another. All I can say is this one works for me. Galleries are a solace and a tonic. I’ll always go around, whether it’s a public gallery or a commercial one; whether it’s in a village hall, showing local amateurs’ work, or a national gallery in a capital city, I love it.
- Take in the space as a whole. See how it has been arranged; whether it matters in which order you view individual pieces. Check the crowds; don’t follow the crowds.
- Move around freely and let the exhibits speak to you personally. Don’t spend time with ones that don’t say anything immediately; these are probably there to speak to someone else. There will probably be a lot of works to get through and there should be at least one or two which will offer a good conversation at a glance.
- Don’t spend a excessive time with the earliest conversations, there may be better ones ahead. Some conversations may seem worthwhile at first but appear superficial and trivial on reflection. Move along.
- All shows require and deserve a second viewing, another turn around the exhibits. This is when you decide which work really deserves your undivided attention. Just one work maybe. Decide what it could be that attracts you to this one work more than all the others. Explore it from all sides or angles; put yourself in the picture, so to speak; imagine you are the artist, and the subject, if it is a human being; look for small details, clues to hidden perspectives.
- Go for a coffee, lunch or a beer, and come back later, or on a different day, if practical, and strike up a relationship with your chosen piece. Own it, metaphorically speaking; relate to it. This is what it wants you to do. This is what art is about.
Do you like going around galleries, or museums – how do they work for you?