The idea occurred to me while walking the dogs this morning. Actually, no sooner was this idea given oxygen when it latched itself onto an old idea that all our protagonists are, in essence, autobiographical, just different versions of us. Combined, this asks, how much writing a central character is an act of narcissism?
I’ve just begun reading Montalbano’s First Case, a book of short stories by Andreas Camilleri, a kind of prequel to the Montalbano novels of which he has written many. It’s apparent that Camilleri emphasises Montalbano’s good character: his virtues, his compassion, his good judgement, his wisdom – even when his man goes against the grain, bends the rules and breaks the law, there is an apology and virtuous reasoning. I’d say he is in love with him. But whether Montalbano is secretly Camilleri, I have no way of telling.
Of course, there’s the other idea that our characters are our fictional children, or even that they are our Adams and Eves to which we play God. We simply love our children, whatever they may do.