This article in Artsy magazine on Willem de Kooning had me thinking whether there was an equivalent in painting and drawing to “writer’s block”. Why I should make this leap – more a sidestep in reality – when the article doesn’t mention anything like it, I don’t know but thinking does that sometimes. There probably are some similarities between the creative arts.
The article deals with de Kooning’s lessons in becoming an artist. I thought I might consider these in the wider perspective of creative work. There’s a link at the end to the actual article if you want to read that.
Lesson #1: Don’t be afraid to be influenced by fellow artists’ work.
This is funny because I’m often unashamedly, and sometimes unconsciously, mimicking the work of others I admire. Sometimes I might even play around with stuff I don’t particularly admire.
I remember reading a story about Jimi Hendrix when he was seen coming out of a back street dive having gone in to see some second rate band. “Why on earth would a player of Hendrix’s standing bother watching a bad act?” He explained that even a poor player can sometimes give you a great idea about performing or songwriting. He took the influence and improved on it.
Lesson #2: Seek out glimpses of inspiration in the world around you.
This is probably the writer’s block bit. I don’t know about you but there’s always moments when I notice something interesting or inspirational. It might be a small thing, or it might be significant. It’s important to just log it in your mind – or jot a note down (I admire note takers a lot even though I rarely do this for myself).
Lesson #3: Pay attention to your desires, not the critics.
What motivates us? Yes, I think we all like a little approval, we like a little praise. Constructive criticism would be good too, providing we can handle it, though it’s not very nice; it depends where we’re at, past the tipping point of having gained self-confidence enough to brush off the nonsense stuff.
I think you have to be faithful to your desires.
Lesson #4: Embrace imperfection—even failure.
Whatever you’re into to, there ought to come an important tipping point when you realise that a mistake, far from being annoying or an embarrassing set back, is actually a real progression in learning your art. Failures make better teachers than successes. Of course, you have to look it squarely in the eyes and know why, and how to avoid it a second time, but this isn’t something you’re more likely to do with a success.
As a perfectionist myself, this has arrived later than it could have. I see perfectionism as a disorder and it still cuts deep at times but it shouldn’t hold you back.
Article: Willem de Kooning: How to be an artist (Artsy magazine)
image: The Privileged (untitled XX), 1985 by Willem de Kooning